His signature spartan style, perfect proportions and use of unexpected materials caught the eye of the first Art Déco collectors (Andy Warhol and Sarah Brandt, to name a few) and the simple lines of his furniture and objects compliment modern interiors, making him one of the most sought-after artists among interior designers and art collectors today.
Now celebrated internationally as the apostle of Modernism, “Le phénomène Frank” only continues to gather momentum. (…)
One exponent of grande luxe modernism so aptly encapsulated Frank’s oeuvre as the “absolute silence of true luxury.”
Words : Benjamin Weaver / The London List
A Jean-Michel Frank dressing table in spruce wood on four tapered legs. The parchment top is divided in three parts, with the middle one fixed and the sides opening outwards, revealing compartments clad light almond coloured velvet. Stamped CP underneath. The front features a small drawer with a bronze ring. with velvet interior. With a certificate from the Jean Michel Frank committee. France, circa 1930.
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Unique piece with a certificate from the Jean Michel Frank committee, stamped CP underneath
Handmade in France, circa 1930
Coiffeuse in spruce wood on four tapered legs
Parchment top divided in three parts, with the middle one fixed and the sides opening outwards, revealing compartments clad light almond coloured velvet
Small front drawer with a bronze ring
W 102 x D 41 x H 74 cm
W 40.2″ x D 16.1″ x H 29.1″
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Jean Michel Frank needs no introduction.
His signature spartan style, perfect proportions and use of unexpected materials caught the eye of the first Art Déco collectors (Andy Warhol and Sarah Brandt, to name a few) and the simple lines of his furniture and objects compliment modern interiors, making him one of the most sought-after artists among interior designers and art collectors today.
Now celebrated internationally as the apostle of Modernism, “Le phénomène Frank” only continues to gather momentum. (…)
One exponent of grande luxe modernism so aptly encapsulated Frank’s oeuvre as the “absolute silence of true luxury.”
Words : Benjamin Weaver / The London List
A Jean-Michel Frank dressing table in spruce wood on four tapered legs. The parchment top is divided in three parts, with the middle one fixed and the sides opening outwards, revealing compartments clad light almond coloured velvet. Stamped CP underneath. The front features a small drawer with a bronze ring. with velvet interior. With a certificate from the Jean Michel Frank committee. France, circa 1930.
Crosta Smith Gallery came about when Les Beaux Arts Fine Art graduate Marine Edith Crosta and her partner in business and in life Daniel Smith – a fashion commerce manager for streetwear brand Supreme – bought a small house in the South of France. While furnishing their new holiday home, they shopped for vintage pieces from brocantes and flea markets, and in doing so, sharpened their eye for style and quality. They began collecting important Art Deco design and decided to start a gallery specializing in 20th century pieces, typically from 1920 to 1940. With Smith’s passion for craftsmanship, quality and research, combined with Crosta’s flair for interior styling and a sense of aesthetics developed throughout her painting practice, London based Crosta Smith Gallery offers a unique take on 20th Century decorative arts.
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