An advocate of eclecticism, Sarah moves effortlessly from a Haussmannian apartment to a clay mountain retreat in Morocco, adding her whimsical touch while ensuring respect for the spirit of the place. In her interiors, conceived as multi-act scenographies, she weaves unexpected dialogues between the 1940s and Senegalese craftsmanship, the extravagance of her personality, and the timelessness of French classicism.