The key tenets of the movement are exposed raw concrete, imposing geometric shapes, and facades stripped of embellishment. Functionality must always outweigh aesthetics. Brutalism also has an important societal aspect, as its architecture and urban planning were originally meant to serve and facilitate community life. In movies, Brutalist ideas are often translated into fortress-like, ominous buildings of totalitarian states—almost every dystopian film features a Brutalist backdrop. However, in real life, Brutalism is undergoing a resurgence, with newfound appreciation for its sculptural aesthetic and urban significance. Consider landmark buildings such as La Cité Radieuse by Le Corbusier, completed in 1952 in Marseille, or the Whitney Museum by Marcel Breuer—heavily criticized when it opened in 1966 and described as “somber, heavy, and brutal.” Interestingly, the legacy of Brutalism subtly influences contemporary architects and designers who favor the honesty of raw materials and the elegance of simple lines.
Whether on the big screen or in the streets of our cities, Brutalism continues to provoke, inspire, and divide. Ultimately, great architecture—like great art—does not always seek to please, but to challenge and endure.