Charlotte Biltgen
Charlotte Biltgen’s years at India Mahdavi’s studio taught her to trust colour and curve in equal measure, lessons she carried into her own Paris atelier. Rooted in France’s “ensemblier” tradition, she designs pieces meant to be read as part of a whole interior rather than as standalone objects, oak, brass, marble and plaster always shaped into the generous, rounded forms she considers central to her identity as a designer.
The Ettore Coffee Table pairs a bronze base with a Fior di Pesco marble top, its veining unrepeatable from one piece to the next because Biltgen insists on leaving the marble’s natural pattern untouched rather than matching it to a template. Conceived within the same 1960s Italian narrative as the rest of the Ettore collection, the table’s structured yet fluid silhouette is meant to echo the sculpted forms found in that era’s most luxurious car interiors. Because each slab is handmade and hand-selected, no two Ettore tables ever show quite the same shading or vein pattern.
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Coffee table pictured here in bronze base
Tabletop in Fior Di Pesco marble
Dimensions available:
Model I: W 64 x D 54 x H 38 cm / W 25.2″ x D 21.3″ x H 15″
Model II: W 59 x D 51 x H 33 cm / W 23.2″ x D 20.1″ x H 13″
Model III: W 58 x D 45 x H 40 cm / W 22.8″ x D 17.7″ x H 15.7″
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Aiming at reviving the great French tradition of “ensemblier”, Charlotte Biltgen’s designs always resonate with the context of a given space: whether a restaurant, a hotel or a residential space, she invents a specific tailor-made atmosphere, thus continuously renewing her creative approach and signature. With her strong Parisian chic rooted in her creative DNA, and her scholarly culture about materials, she can embrace decoration and details in one same thought, designing furniture and objects first in her mind, picturing an atmosphere before it actually exists, and then making it real with a gentle yet painstaking concern for the perfect finish.
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