Osanna Visconti
Every piece in this series begins with a real dahlia. Osanna Visconti selects the bloom herself and coats it in wax, preserving the tight spiral of its petals before it enters the lost-wax process at her trusted art foundry in Milan. The wax model is encased in clay and plaster, fired in kilns at 650°C until the wax melts away, and the void it leaves is filled with molten bronze. Once the mould is broken open, the casting is chiselled and polished by hand. Because each one starts from a different flower, no two are alike. Visconti trained as a jeweller in Rome and at the Gemological Institute of America in New York, and that precision carries through at this intimate scale. Part of her Dalia collection, it suits a dining table or mantelpiece, alone or grouped with others in varying heights.
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Natural bronze candle holder, produced with the lost wax technique
Each piece is unique
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During her childhood in Rome, Osanna and her sister would play with pieces of art created for their mother by Lucio Fontana, Mario Ceroli and Arnaldo Pomodoro. One could say that the pieces she creates today, are inspired by those wonderful memories, or maybe, they are a result of her own femininity… or maybe both. “I made jewellery for a few years, but then I decided to make jewels for the home, with the same technique but on a larger scale”. In recent years, Osanna’s attention has increasingly focused on objects and furnishings. Made by the best artisans, every creation is modelled by hand from wax, which is then fused in an art foundry. “I would define myself as an artisan because I love crafting things, and I would also define myself as being somewhat of a designer. I really like being in the foundry where the wax models are made, spending my days modelling with my hands.”
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