Charlotte Biltgen
Charlotte Biltgen spent years at India Mahdavi’s Paris practice, absorbing a devotion to bold colour and confident, sculptural form. She belongs to the French “ensemblier” lineage, in which furniture, textile and architecture are conceived together, her signature vocabulary of oak, brass, marble and plaster returning always to soft, rounded lines she treats as a kind of quiet femininity running through every design.
Extended into a sofa, the Klay design keeps the same club-chair intimacy Biltgen imagined for a seaside terrace, now resting on stained oak feet and upholstered in Dedar’s Adamo & Eva velvet in a soft polline tone. A bespoke pair of cushions in Pierre Frey’s Papunya fabric punctuates the silhouette, adding pattern to the sofa’s otherwise pared-back curves. Biltgen calls the roundness running through every cushion and armrest a deliberate expression of softness and femininity.
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Sofa with stained oak feet, upholstered in Adamo & Eva velvet by Dedar, colour polline
Discover the full fabric selection here
Bespoke upholstery and set of two decorative cushions upholstered in “Papunya” fabric by Pierre Frey
Cushions in foam and feathers available upon request
Also available in customer’s own material
- firm
- semi firm
- soft
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Aiming at reviving the great French tradition of “ensemblier”, Charlotte Biltgen’s designs always resonate with the context of a given space: whether a restaurant, a hotel or a residential space, she invents a specific tailor-made atmosphere, thus continuously renewing her creative approach and signature. With her strong Parisian chic rooted in her creative DNA, and her scholarly culture about materials, she can embrace decoration and details in one same thought, designing furniture and objects first in her mind, picturing an atmosphere before it actually exists, and then making it real with a gentle yet painstaking concern for the perfect finish.
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