Pierre Chareau
With the Mouche Wall Lamp With Metal Frame, Pierre Chareau signs far more than a piece of furniture: it is a fragment of the singular vision of a designer who believed every object should extend the space it inhabits. Trained first as an engineer, Chareau approached furniture the way he approached his buildings, as a question of light, structure and proportion, refusing the ornamental clutter of his era in favour of forms that feel inevitable rather than decorative.
This version of the Mouche wall lamp sets its three rectangular alabaster plates against a full black painted metal backplate, deepening the shadow line around each panel and giving the light a more graphic, framed presence on the wall. As with the original, the alabaster comes in veined white or veined brown, and the two finishes can be combined across the three plates.
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Designed by Pierre Chareau, re-edited by Galerie MCDE
Wall lamp with three rectangular alabaster plates
Black painted metal
Also available without a black metal background
White alabaster available veined white or veined brown finish
Possibility to mix white veined and brown veined alabaster plates
Discover the alabaster selection here
Electrification: This wall lamp can be electrified for the country of your choice. If you are ordering for Europe, expect 230V and 110V for USA. Please contact us if you require a different voltage
CE Certification: Yes
IP Certification: IP44 upon request for an additional cost
UL Listed: Yes
Socket: E14 (EU) or E12 (US)
Dimmable: Yes
Light Source Included: No
LED bulb, 4W max
Insured Worldwide Delivery
Secure payment
Certificate of authenticity
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“No house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre,” wrote architecture critic Nicolai Ouroussoff in the New York Times about the groundbreaking project by Pierre Chareau. Arguably one of the most influential works of modern architecture, the « House of Glass » stands as the most innovative example of Chareau’s genius.
The visionary designer brought modernity into interior decoration by his pioneering use of wood, glass and metal. By the mid 1920s he had joined the prestigious Société des Artistes Décorateurs and, in 1929, he co-founded the “Union des Artistes Modernes”. With some of his like-minded peers – including Robert Mallet-Stevens and Jean-Michel Frank – he befriended the most sought-after artists of his time, Max Ernst, Joan Miró, Amedeo Modigliani, Louis Aragon, Paul Éluard and André Breton to name abut a few.
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Certificate of authenticityEach piece is authentic and certified
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