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Designed by Pierre Chareau, re-edited by Galerie MCDE
Wall lamp with three rectangular alabaster plates
Black painted metal
Available with a black metal background
White alabaster with two available finishes: veined white or veined brown
Possibility to mix white veined and brown veined alabaster plates
Can be electrified for Europe (230 V) and US (110 V) 1x incandescent bulb E 14 40W or low energy bulb E 14 10W required, not included
Three dimensions available:
Fly 110A: W 26 x D 13 x H 21 cm / W 10.3″ x D 5.2″ x H 8.3″
Fly 110B: W 28 x D 14 x H 25 cm / W 11.1″ x D 5.5″ x H 9.9″ (with metal background)
Fly 110C: W 32 x D 13 x H 24 cm / W 12.6″ x D 5.2″ x H 9.5″
“No house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre,” wrote architecture critic Nicolai Ouroussoff in the New York Times about the groundbreaking project by Pierre Chareau. Arguably one of the most influential works of modern architecture, the « House of Glass » stands as the most innovative example of Chareau’s genius.
The visionary designer brought modernity into interior decoration by his pioneering use of wood, glass and metal. By the mid 1920s he had joined the prestigious Société des Artistes Décorateurs and, in 1929, he co-founded the “Union des Artistes Modernes”. With some of his like-minded peers – including Robert Mallet-Stevens and Jean-Michel Frank – he befriended the most sought-after artists of his time, Max Ernst, Joan Miró, Amedeo Modigliani, Louis Aragon, Paul Éluard and André Breton to name abut a few.
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