Little is known about Suzanne Agron, an undeniably talented designer and ensemblier. Very few women took part in the Salons in the 1930s, but her designs were met with great appreciation and Agron, alongside Charlotte Perriand, Charlotte Alix or Blanche Klotz, was certainly one of the most gifted décoratrices of her time.
This solid oak cabinet by Suzanne Agron, features two drawers opening onto a dark grey-brown cotton velvet lining, and two doors carved in a cubist manner. Original keys to both doors in working order.This piece was exhibited at the Salon d’Automne in 1927. A research dossier about Agron’s work, press and archive pictures will be provided to the buyer upon request. France, circa 1927.
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Cabinet in solid oak by Suzanne Agron with double drawers opening onto a dark grey-brown cotton velvet lining by Pierre Frey and two doors carved in a cubist manner
Unique piece
Original keys to both doors in working order
Handmade in France, circa 1927
Exhibited at the 1927 Salon d’Automne
W 104 x D 54 x H 80 cm
W 40.9″ x D 21.2″ x H 31.5″
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Little is known about Suzanne Agron, an undeniably talented designer and ensemblier. Very few women took part in the Salons in the 1930s, but her designs were met with great appreciation and Agron, alongside Charlotte Perriand, Charlotte Alix or Blanche Klotz, was certainly one of the most gifted décoratrices of her time.
This solid oak cabinet by Suzanne Agron, features two drawers opening onto a dark grey-brown cotton velvet lining, and two doors carved in a cubist manner. Original keys to both doors in working order.This piece was exhibited at the Salon d’Automne in 1927. A research dossier about Agron’s work, press and archive pictures will be provided to the buyer upon request. France, circa 1927.
Crosta Smith Gallery came about when Les Beaux Arts Fine Art graduate Marine Edith Crosta and her partner in business and in life Daniel Smith – a fashion commerce manager for streetwear brand Supreme – bought a small house in the South of France. While furnishing their new holiday home, they shopped for vintage pieces from brocantes and flea markets, and in doing so, sharpened their eye for style and quality. They began collecting important Art Deco design and decided to start a gallery specializing in 20th century pieces, typically from 1920 to 1940. With Smith’s passion for craftsmanship, quality and research, combined with Crosta’s flair for interior styling and a sense of aesthetics developed throughout her painting practice, London based Crosta Smith Gallery offers a unique take on 20th Century decorative arts.
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