Their signature is straw marquetry — paille marquetée, the painstaking craft that lines their Iris coffee table — alongside a house-made opaline glass crystal, produced in their own French atelier, that diffuses light with the soft glow of alabaster. Each collection reads as a quiet homage: to Jean-Michel Frank, to Gio Ponti, to a French modernism CSLB continues to reinterpret today.
Born from a collaboration between antique dealer Stanislas de Baudus and CSLB Studio, the Palmier Round Side Table borrows its form from the palm tree that gives it its name. Its central foot rises up and flares beyond the tabletop itself, echoing the way a palm’s trunk opens into fronds, while the marsh oak veneer marquetry on top is cut to recall interlocking leaves.
Finished in red lacquered wood with a marquetry top in pin oak, the table pairs lacquer, brass and wood in a way that feels resolutely modern even as its silhouette recalls the classic guéridon tables of French decorative history. As light crosses its layered marquetry, it creates a subtle play of shadow that shifts throughout the day, exactly as Caroline Sarkozy and Laurent Bourgois intended.
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CSLB Studio
Stanislas de Baudus x CSLB Studio
Tabletop in red lacquered wood and table top in marquetry of pin oak
Insured Worldwide Delivery
Secure payment
Certificate of authenticity
Their signature is straw marquetry — paille marquetée, the painstaking craft that lines their Iris coffee table — alongside a house-made opaline glass crystal, produced in their own French atelier, that diffuses light with the soft glow of alabaster. Each collection reads as a quiet homage: to Jean-Michel Frank, to Gio Ponti, to a French modernism CSLB continues to reinterpret today.
Born from a collaboration between antique dealer Stanislas de Baudus and CSLB Studio, the Palmier Round Side Table borrows its form from the palm tree that gives it its name. Its central foot rises up and flares beyond the tabletop itself, echoing the way a palm’s trunk opens into fronds, while the marsh oak veneer marquetry on top is cut to recall interlocking leaves.
Finished in red lacquered wood with a marquetry top in pin oak, the table pairs lacquer, brass and wood in a way that feels resolutely modern even as its silhouette recalls the classic guéridon tables of French decorative history. As light crosses its layered marquetry, it creates a subtle play of shadow that shifts throughout the day, exactly as Caroline Sarkozy and Laurent Bourgois intended.
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Trained at Parsons School of Design in New York, Caroline Sarkozy gained extensive experience working for the exacting Andrée Putman. A nomadic childhood between Asia, the Middle East and the USA, gives her a panoramic approach to influences and styles. Laurent Bourgois graduated from the École nationale supérieure des Beaux-Arts in Paris and has over the years focused on Architecture and Interior Architecture projects in the private sector. Together, they have a refreshing take on classical style and absolute elegance achieved through exquisite “A la française” craftsmanship, a trademark of their interiors, which is appreciated by their private international clientele.
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Invisible Collection London

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