Pierre Chareau
Long before he built the Maison de Verre, his celebrated house of glass and steel, Pierre Chareau was already rethinking what furniture and lighting could do inside a room, and Mask Wall Lamp carries that same conviction. As an ensemblier rather than a mere decorator, he never designed objects in isolation, but as instruments meant to shape atmosphere, direct light and choreograph the way a space is actually lived in.
Reduced to two solid blocks of alabaster set within a black painted metal structure, the Mask wall lamp reads almost like a piece of sculpture before it is even switched on. Available in veined white or veined brown alabaster, with the option to mix both finishes across the two blocks, it produces a warm, masked glow that softens rather than floods a room with light.
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Designed by Pierre Chareau, re-edited by Galerie MCDE
Wall lamp with two alabaster blocks
Black painted structure
White alabaster available veined white or veined brown finish
Possibility to mix white veined and brown veined alabaster blocks
Discover the alabaster selection here
Small – SMA 119A: W 33 x D 11 x H 36.5 cm / W 13″ x D 4.3″ x H 14.3″
Large – SMA 119B: W 43 x D 13 x H 45 cm / W 16.9″ x D 5.1″ x H 17.7″
Electrification: Can be electrified for the country of your choice. If you are ordering for Europe, expect 230V and 110V for USA. Please contact us if you require a different voltage
CE Certification: Yes
UL Listed: No, if you require UL Listing, please contact us as this might be possible at an extra cost
Dimmable: Yes
Light Source Included: No
SMA 119A: 2x E14 (EU) or E12 (US) bulb, LED 4W max, T20 or T6, max length 7 cm / 2.7”
SMA 119B: 4x E14 (EU) or E12 (US) bulb, LED 4W max, T20 or T6, max length 10 cm / 4”
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“No house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre,” wrote architecture critic Nicolai Ouroussoff in the New York Times about the groundbreaking project by Pierre Chareau. Arguably one of the most influential works of modern architecture, the « House of Glass » stands as the most innovative example of Chareau’s genius.
The visionary designer brought modernity into interior decoration by his pioneering use of wood, glass and metal. By the mid 1920s he had joined the prestigious Société des Artistes Décorateurs and, in 1929, he co-founded the “Union des Artistes Modernes”. With some of his like-minded peers – including Robert Mallet-Stevens and Jean-Michel Frank – he befriended the most sought-after artists of his time, Max Ernst, Joan Miró, Amedeo Modigliani, Louis Aragon, Paul Éluard and André Breton to name abut a few.
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Team of specialist advisersOur team of design specialists are here to help and will answer all your questions and personalized requests
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Certificate of authenticityEach piece is authentic and certified
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