Jean-Michel Frank
Jean-Michel Frank (1895-1941) was the defining genius of interwar French decorative arts, celebrated for a philosophy of luxe pauvre: humble, tactile materials elevated through pure geometry and impeccable craftsmanship.
The Cube Armchair 1922, designed by Jean-Michel Frank and re-edited by Ecart, embodies the minimalist aesthetic that would come to define his career two decades before it reached full maturity, its clean, geometric block-like form anticipating the pared-back luxury for which he later became famous. The chair found its way into some of the era’s most storied interiors, including Madame Cerf’s grand salon and Cole Porter’s music salon.
Pictured here in satin sycamore wood upholstered in Christian Sand fabric from Ecart, the armchair is also available in leather, with bespoke woods, fabrics and finishes offered upon request. Its boxy proportions, softened only by the sheen of the satin-finished wood, make it as much a sculptural object as a place to sit.
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Jean-Michel Frank re-edited by Ecart
Armchair pictured here in satin sycamore wood and upholstered in Christian Sand fabric from Ecart
Also available in leather
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“You can furnish a room very luxuriously by unfurnishing it” is probably one of Frank’s most famous quotes, highlighting his taste for minimalism: some of his most iconic interiors are indeed marked by sparingly arranged furniture and creamy whites all around. This hallmark of non-colours was most emphasised by the iconic salon that Frank decorated for Marie-Laure and Charles de Noailles’s hôtel particulier in Paris. Panels of parchment on the walls, compact white armchairs, straw-marquetry side tables, lamps made of quartz, and stunning bronze doors: the room immortalised by Man Ray’s black-and-white photographs has become the paradigm of sophistication.
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Linterno Fabric : St Moritz/Nobili
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