The Lounge Chair 1929 by Jean-Michel Frank is an iconicpiece of furniturethatishighlyregarded for itselegant and minimalistic style. The chair features a simple frame and a comfortableseat and backrest. Much appreciated for itssleek, modern lines and itsability to blendseamlesslyinto a variety of interior design styles, as well as outdoors,itis a sought-afterpiece for collectors and design enthusiasts.
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Jean-Michel Frank re-edited by Ecart International
Lounge chair with lime-oxidised indoor oak structure
Pictured here in Dedar Salinger fabric, natural colour
Also available in outdoor ash, pictured here in Dedar outdoor fabric Strange Loves, colour Cocco Bello Discover the fabric selection here
W 142 x D 60 x H 75 cm
W 55.9″ x D 23.6″ x H 29.5″
Fabric required: 6 m / 6.6 yd
Not available in the United States
Handmade in France
Production lead time: 16 weeks
Insured and worldwide deliveryThe Invisible Collection finances 100% of the carbon contribution of its expeditions
Secure paymentYou can pay by credit card, Paypal or bank transfer in complete confidentiality, all payments are encrypted
Certificate of authenticityEach piece is authenticated and certified
The Lounge Chair 1929 by Jean-Michel Frank is an iconicpiece of furniturethatishighlyregarded for itselegant and minimalistic style. The chair features a simple frame and a comfortableseat and backrest. Much appreciated for itssleek, modern lines and itsability to blendseamlesslyinto a variety of interior design styles, as well as outdoors,itis a sought-afterpiece for collectors and design enthusiasts.
“You can furnish a room very luxuriously by unfurnishing it” is probably one of Frank’s most famous quotes, highlighting his taste for minimalism: some of his most iconic interiors are indeed marked by sparingly arranged furniture and creamy whites all around. This hallmark of non-colours was most emphasised by the iconic salon that Frank decorated for Marie-Laure and Charles de Noailles’s hôtel particulier in Paris. Panels of parchment on the walls, compact white armchairs, straw-marquetry side tables, lamps made of quartz, and stunning bronze doors: the room immortalised by Man Ray’s black-and-white photographs has become the paradigm of sophistication.
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