This vessel holds the repeated patterns of the rhythms of nature and the universe, but introduces a change over time, a nod to Rupert Sheldrake’s theory of Morphic Resonance, that the ‘laws’ evolve over time, as much as anything else, that these changes resonate across time and the universe. These ideas have always been intrinsic in the matrix of wood to me, an agglomeration of time and elements.
Hand carved large poplar vessel
Cracks filled and held together with a poured pewter matrix
All smaller cracks Kintsugi 24 Carat Gold leaf infill
Polished and oiled with an Ultra Violet resistant Osmo oil
Each vase is unique due to its handcrafted nature, shapes and shades vary slightly
Insured and worldwide deliveryThe Invisible Collection finances 100% of the carbon contribution of its expeditions
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Certificates of authenticityEach piece is authenticated and certified
This vessel holds the repeated patterns of the rhythms of nature and the universe, but introduces a change over time, a nod to Rupert Sheldrake’s theory of Morphic Resonance, that the ‘laws’ evolve over time, as much as anything else, that these changes resonate across time and the universe. These ideas have always been intrinsic in the matrix of wood to me, an agglomeration of time and elements.
Joel Parkes trained at Chelsea College of Art as a Public Artist and instigated his career with 7 years at pioneering Public Arts company, Free Form Arts Trust. Established in Hackney in 1969, to put people at the heart of changing their environment, by working together creatively..