Nada Debs
Beirut is where Nada Debs’ story comes full circle: raised in Kobe, Japan, educated at RISD in Rhode Island, she moved to Lebanon as an adult to reconnect with a heritage she had grown up without. In her studio there, master craftsmen versed in marquetry, wood carving and mother-of-pearl inlay work alongside her toward what she terms Contemporary Arabesque, a style that borrows the quiet discipline of Japanese design and the ornamental richness of Arab craft in equal measure, so that a single tabletop can hold both a tea-ceremony calm and the flash of inlaid pearl.
The smallest in the trio, Tatami Table S pairs the woven straw technique of traditional Japanese flooring, offered in pink, blue, yellow, green or red, with a marquetry frame built by hand in Nada Debs’ workshops. Compact enough to pair in multiples around a sofa, it carries the same shift from table to bench as its larger siblings, just at a scale suited to tighter corners.
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Low table in tatami and marquetry
Tatami colours available: pink, blue, yellow, green, red
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Nada Debs grew up up in Japan from a Lebanese family and graduated from the Rohde Island School of Design in the US. With such a cosmopolitan and prolific background, Nada Debs has the ability to distil culture and craftsmanship to create pieces with emotional resonance. Her style defined as “Contemporary Arabesque” blends her influences from her Lebanese family and her Japanese childhood as she magnifies oriental handicrafts with a hint of Japanese materials.
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