Harumi Klossowska de Rola
This bowl’s form takes the fig leaf’s irregular lobes and pronounced veining and renders them in gilded brass, continuing Goossens’ long-standing interest in botanical and organic subjects as source material for gilt bronze work — a language the maison built up under Robert Goossens, working in gilt metal and rock crystal for the great couture houses of the 1950s. Harumi Klossowska de Rola, who grew up immersed in her father Balthus’s world of animals and objects, brings that same instinct for the organic to her collaborations with Goossens, now part of Chanel’s Le19M métiers d’art. The result reads less as tableware than as a small botanical study, its uneven contour and warm gilt surface suited to a console or dressing table, where it can hold rings, keys, or simply catch the light.
Designed by Harumi Klossowska de Rola
Bowl in gold plated brass
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Daughter of famous painter Balthus and Japanese artist Setsuko Ideta, Harumi Klossowska de Rola grew up surrounded by art, literally. Since her early years, spent in Villa Medici in Rome, she always loved to express her artistic self. At the age of seven, she saw a collection of precious gems and was so enthralled by it that she decided she wanted to create jewelry. She spent her teens in Switzerland, enjoying horse riding and learning calligraphy, living in the amazing Grand Chalet de Rossinière, an 18th century mansion built to stock… Swiss cheese in its cellars. After a few years spent working with John Galliano, Harumi started creating her first line of jewelry, loosely inspired by a collection of oriental buttons and ribbons her mother kept in a drawer. In 2008, she created her first pieces of haute joillerie, a commission by Boucheron to celebrate the brand’s 150th anniversary. This first collection sets the beginning of a new path, as Harumi starts experimenting with precious metals and gems.
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