With the Cottage collection, Pinto Paris revisits a country furniture in turned wood and woven geometric reed accents which could be found on a terrace, by the fire, equally at home at the edge of the sea, in a mountain chalet or a lodge…
The inspiration is the vernacular rural furniture that was ennobled in the nineteenth century by the spirit of The Art and Crafts movement: simplicity of forms and materials, aestheticisation and stylisation of humble taste and valorisation of the unique work by hand. Although inspired, this collection stands out in the treatment of turned wood: we are closer to an Africanist aesthetic and the sculptural language of Brancusi: a series of cores and repeated edges. The sturdy, powerful oak with its open pores and vibrating grain, is still evident in the dark hue. (This collection, presented in black to affirm the graphical form could be also considered in natural oak.)

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Pinto

zanni side table

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Side table in turned french oak
Available in natural or ebonised finish

Ø 27 x H 55 cm
Ø 10.62″ x H 21.65″

W 27 x D 27 x H 55 cm
W 10.6″ x D 10.6″ x H 21.7″
Handmade in France
Production lead time: 12 weeks
  • Insured and worldwide delivery Insured and worldwide delivery The Invisible Collection finances 100% of the carbon contribution of its expeditions
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  • Certificate of authenticity Certificate of authenticity Each piece is authenticated and certified

With the Cottage collection, Pinto Paris revisits a country furniture in turned wood and woven geometric reed accents which could be found on a terrace, by the fire, equally at home at the edge of the sea, in a mountain chalet or a lodge…
The inspiration is the vernacular rural furniture that was ennobled in the nineteenth century by the spirit of The Art and Crafts movement: simplicity of forms and materials, aestheticisation and stylisation of humble taste and valorisation of the unique work by hand. Although inspired, this collection stands out in the treatment of turned wood: we are closer to an Africanist aesthetic and the sculptural language of Brancusi: a series of cores and repeated edges. The sturdy, powerful oak with its open pores and vibrating grain, is still evident in the dark hue. (This collection, presented in black to affirm the graphical form could be also considered in natural oak.)

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Zanni Side Table
Pinto
Zanni Side Table
Pinto
Zanni Side Table

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    Pierre Frey
    F3702002 Hendaye
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