De La Espada
Izar Dining Table
De La Espada’s founders, Fátima de la Espada and Luís de Oliveira, came to furniture almost by accident — a family carpentry workshop in Spain that became a design house shown in London, New York and Milan. Their approach has never changed: honest joinery, solid timber, and a roster of collaborators — from Luca Nichetto to Anthony Guerrée — invited to draw pieces that respect the material as much as the form. Production stays in-house, at their own solar-powered workshop on Portugal’s Silver Coast.
The Izar dining table is shown in white oiled ash with an ochre satin-matte HDF detail, also available in walnut or oak with other HDF colours in matte or gloss, and is also pictured in oxidised oak with a black HDF detail and in black oiled walnut with a glossy cove-coloured HDF detail. The coloured HDF inlay lets the same table take on a completely different personality depending on the tone chosen.
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De La Espada x Anthony Guerrée
Table pictured here in white oiled ash with ochre satin matte HDF detail
Also available in walnut or oak, with other HDF colors in matte or gloss finish
Discover the full wood selection here
Discover the full painted HDF selection here
Also pictured in oxidized oak with black satin matte HDF detail
And in black oiled walnut with cove gloss HDF detail
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De La Espada furniture reflects a confident command of generations-old craft wisdom and research-led modern design. Contrary to the way the majority of products are made today, a single workshop on Portugal’s Silver Coast is the beating heart of every De La Espada piece. It is from one of Europe’s most significant centres of excellence in woodworking and upholstery that their furniture is sent directly to homes and public spaces all over the world. They have an in-house design studio, De La Espada Atelier, and also collaborate with nine leading international designers, as well as Portuguese artisans whose craft they highlight in their products. De La Espada represents true luxury: creativity rather than imitation; extensive research and development; traditional methods that are in scarce supply; a singular aesthetic point-of-view; and no compromise when it comes to materials or effort.
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