Pierre Chareau
Long before he built the Maison de Verre, his celebrated house of glass and steel, Pierre Chareau was already rethinking what furniture and lighting could do inside a room, and Quart De Rond Ceiling Lamp carries that same conviction. As an ensemblier rather than a mere decorator, he never designed objects in isolation, but as instruments meant to shape atmosphere, direct light and choreograph the way a space is actually lived in.
Suspended overhead, the Quart de Rond ceiling lamp multiplies Chareau’s signature quarter-circle alabaster plate nine times over, arranging them around a black painted metal structure so that light spills outward in soft, layered arcs. Offered in veined white or veined brown alabaster, with the option to combine both, it turns a ceiling fixture into a faceted, almost architectural crown of light.
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Designed by Pierre Chareau, re-edited by Galerie MCDE
Chandelier with nine alabaster plates in quarter circles
Metal structure painted black
White alabaster available veined white or veined brown finish
Possibility to mix white veined and brown veined alabaster plates
Discover the alabaster selection here
Electrification: Can be electrified for the country of your choice. If you are ordering for Europe, expect 230V and 110V for USA. Please contact us if you require a different voltage
CE Certification: Yes
UL Listed: No, if you require UL Listing, please contact us as this might be possible at an extra cost
Dimmable: Yes
Light Source Included: No
SUS 102A: 3x E14 (EU) or E12 (US) bulb, LED 4W max, T20 or T6, max length 7 cm / 2.7”
SUS 102B: 3x E14 (EU) or E12 (US) bulb, LED 4W max, T20 or T6, max length 7 cm / 2.7”
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“No house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre,” wrote architecture critic Nicolai Ouroussoff in the New York Times about the groundbreaking project by Pierre Chareau. Arguably one of the most influential works of modern architecture, the « House of Glass » stands as the most innovative example of Chareau’s genius.
The visionary designer brought modernity into interior decoration by his pioneering use of wood, glass and metal. By the mid 1920s he had joined the prestigious Société des Artistes Décorateurs and, in 1929, he co-founded the “Union des Artistes Modernes”. With some of his like-minded peers – including Robert Mallet-Stevens and Jean-Michel Frank – he befriended the most sought-after artists of his time, Max Ernst, Joan Miró, Amedeo Modigliani, Louis Aragon, Paul Éluard and André Breton to name abut a few.
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