Sarah Chirazi
Behind the Calao II Folding Screen stands Sarah Chirazi, a Franco-Senegalese designer whose work reads like a multi-act scenography, drawing on the Art Deco furniture of her Dakar childhood, inherited Senegalese craft, and a wink of humor that surfaces in even her most classical forms.
Created with artist Lucrèce Grapin, the Calao II folding screen distills the pheasant-feather motif of its predecessor into a quieter gesture, tracing the pattern delicately along the panel edges rather than across the whole surface. Hand-carved and painted wood meets a structure in black-stained oak, and because the feather is a longstanding symbol of protection and abundance, the screen doubles as a kind of talisman for the room it stands in.
Sarah Chirazi x Lucrèce Grapin
Dakar Collection
Folding screen in hand-carved painted wood and black stained oak
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An advocate of eclecticism, Sarah moves effortlessly from a Haussmannian apartment to a clay mountain retreat in Morocco, adding her whimsical touch while ensuring respect for the spirit of the place. In her interiors, conceived as multi-act scenographies, she weaves unexpected dialogues between the 1940s and Senegalese craftsmanship, the extravagance of her personality, and the timelessness of French classicism.
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