Osanna Visconti
Two real dahlias are the starting point for this pair of cellars, each cast in natural bronze at Osanna Visconti’s trusted art foundry in Milan. Through the lost-wax technique, the folds of each bloom are recorded in metal, and because every casting begins with a different flower, the two are never quite identical. Hand chiselling and polishing then bring out the depth of the petals. Set into each flower is a small bowl of amber Murano glass, and the pair is completed by two miniature spoons in bronze plated with rose gold, their pinker tone sitting softly against the natural bronze. Visconti came to bronze through jewellery, training in Rome and at the Gemological Institute of America in New York, and that attention to small, precious detail runs through the whole set. On a laid table, it completes the Dalia pieces alongside the candleholders and bowl.
Murano glass bowl
Spoon in bronze, pink gold plated
Natural bronze produced with the lost wax technique
Each piece is unique
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During her childhood in Rome, Osanna and her sister would play with pieces of art created for their mother by Lucio Fontana, Mario Ceroli and Arnaldo Pomodoro. One could say that the pieces she creates today, are inspired by those wonderful memories, or maybe, they are a result of her own femininity… or maybe both. “I made jewellery for a few years, but then I decided to make jewels for the home, with the same technique but on a larger scale”. In recent years, Osanna’s attention has increasingly focused on objects and furnishings. Made by the best artisans, every creation is modelled by hand from wax, which is then fused in an art foundry. “I would define myself as an artisan because I love crafting things, and I would also define myself as being somewhat of a designer. I really like being in the foundry where the wax models are made, spending my days modelling with my hands.”
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