Paul László
László’s Californian clients included Cary Grant, Barbara Hutton and Billy Wilder; his archive is today re-edited by Ecart and documented largely through Julius Shulman’s photography held at the Getty Research Institute.
The Brentwood Coffee Table 1947 carries the name of one of Los Angeles’s most storied residential neighborhoods, a fitting reference for a piece designed by Paul László at the height of his California career, when the Hungarian-born architect was shaping the interiors of homes for clients ranging from Cary Grant to the Vanderbilt family. Re-edited today by Ecart, the table channels László’s gift for a modernism that felt warm and lived-in rather than austere.
Originally manufactured by Brown Saltman between 1947 and 1953, one of the Los Angeles furniture makers László relied on to bring his designs to a wider American clientele, the table is reissued here in solid ash, its grain left visible beneath a light finish. The low, generous proportions were designed for the relaxed, indoor-outdoor living rooms of postwar Los Angeles, a lifestyle László helped define for an entire generation of Southern California homeowners.
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Designed by Paul László, re-edited by Ecart
Coffee table pictured here in solid ash
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Paul László (1900–1993) was a Hungarian-born architect and designer whose career bridged European modernism and postwar American luxury. Trained in Stuttgart and active in Vienna during the interwar years, he developed a refined modern language that gained international attention through leading design journals. Fleeing Europe during World War II, he settled in California and became a sought-after architect for industrialists and Hollywood elites, designing meticulously controlled interiors conceived as total works of art. Dubbed “the Rich Man’s Architect,” László combined disciplined elegance with visionary thinking, from bespoke residences and furniture to speculative projects like the underground city Atomville.
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