In collaboration with La Maison des Femmes, four designers — Constance Guisset, Sophie Dries, Pauline Leprince, and Victoria-Maria Geyer — reinterpret iconic Hurel pieces through distinct, sensitive perspectives, uniting design, craft, and commitment.The collection extends its purpose beyond creation, with each piece contributing to the association’s mission of supporting women in vulnerable situations or survivors of violence.
Victoria-Maria Geyer brings a fresh perspective to Philippe Hurel’s Peggy Sue chair, revealing the subtle movement behind its composed appearance. Adopted by one of the great jewelry houses of Place Vendôme in Paris, Peggy Sue carries an allure that is at once refined and unexpected. Seemingly neoclassical at first glance, it conceals a more playful, almost dancing line. Its backrest and rear legs unfold in a graceful curve, lending the piece a sense of lightness and fluidity. Beneath its poised exterior lies a quiet dynamism, where elegance meets a gentle sense of motion. In Victoria-Maria Geyer’s interpretation, Peggy Sue becomes a study in contrast between structure and movement, tradition and allure, capturing the eye with its understated charm.

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Philippe Hurel

Peggy Sue Chair

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Victoria-Maria Geyer x Philippe Hurel for La Maison des FemmesThis exclusive collaboration benefits La Maison des Femmes / Restart, with proceeds from each piece sold donated to the association
Unique piece
Chair upholstered in Quartier Latin fabric from Misia, colour Copper
Structure in beech solid wood

W 50 x D 54 x H 83 cm / W 19.7″ x D 21.3″ x H 32.7″
Seating height: 46 cm / 18.1″
Handmade in France
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  • Insured Worldwide DeliveryInsured Worldwide Delivery
  • Secure paymentSecure payment
  • Certificate of authenticityCertificate of authenticity

In collaboration with La Maison des Femmes, four designers — Constance Guisset, Sophie Dries, Pauline Leprince, and Victoria-Maria Geyer — reinterpret iconic Hurel pieces through distinct, sensitive perspectives, uniting design, craft, and commitment.The collection extends its purpose beyond creation, with each piece contributing to the association’s mission of supporting women in vulnerable situations or survivors of violence.
Victoria-Maria Geyer brings a fresh perspective to Philippe Hurel’s Peggy Sue chair, revealing the subtle movement behind its composed appearance. Adopted by one of the great jewelry houses of Place Vendôme in Paris, Peggy Sue carries an allure that is at once refined and unexpected. Seemingly neoclassical at first glance, it conceals a more playful, almost dancing line. Its backrest and rear legs unfold in a graceful curve, lending the piece a sense of lightness and fluidity. Beneath its poised exterior lies a quiet dynamism, where elegance meets a gentle sense of motion. In Victoria-Maria Geyer’s interpretation, Peggy Sue becomes a study in contrast between structure and movement, tradition and allure, capturing the eye with its understated charm.

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Peggy Sue Chair
Philippe Hurel
Peggy Sue Chair
Philippe Hurel
Peggy Sue Chair

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