Studio Akademos
Studio Akademos channels a shared obsession with the golden age of Café Society, the itinerant world of aristocrats, artists and eccentrics who defined nightlife from the 1920s through the 1970s, into pieces built exclusively by artisan workshops in Lombardy. Each collection pays homage to a specific personality of that world, translating their charisma into deep-lacquered American walnut, Loro Piana cashmere and hand-finished brass and steel details.
The L-shaped Scott 02 Corner Sofa extends the Scott 01’s tribute to F. Scott Fitzgerald with an integrated planting space built into its lacquered American walnut structure, edged in purple-red lacquer. Upholstered in Loro Piana cashmere with matching piping, it conceals a side cabinet finished in satin stainless steel and polished brass, each sofa individually numbered on its own brass plate. Handmade entirely by Italian artisans, it brings the same lavish, candle-lit Café Society mood to a larger, more sculptural silhouette.
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Sofa upholstered here in cashmere wool from Loro Piana, Tiepolo colour piment doux and piping in Taragarh, colour piment doux
Discover the cashmere wool selection here
Structure in American walnut with a high gloss finish lacquer
Lacquer edges, colour purple red
Discover the lacquer selection here
Hidden cabinet (on each side) with satin stainless steel handle and polished brass details
Planting space integrated into the structure
Brass plate numbered and personalised
Bespoke dimensions and finishes upon request
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Aurélien Raymond and Costanza Rossi met at famed Studio Casiraghi, whilst working on a variety of international, residential and commercial projects. Both architects with extensive curricula in some of the world’s best universities, they decided to partner and launch their design studio Akademos. Aurélien fell in love with interior design when freelancing for the likes of Pierre Yovanovitch and Emmanuelle Simon. Having grown up in Carrara – known for its spectacular marble quarries- and having spent part of her university years in Venice, Costanza has a keen eye for materials, details and beauty.
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