Italian designer Matteo Cibic has channelled his fascination with pareidolia, the instinct to find faces in everyday objects, into Homage, a collection created for Mmairo, the marble house founded in Carrara. Working from his Vicenza studio, Cibic treats each vase, tray and vessel as a small character rather than a static object, naming many pieces after the sculptors who shaped Carrara’s centuries-old marble tradition.
With Tacca, Matteo Cibic pays homage to Tuscany’s great sculptural tradition, taking its name from Pietro Tacca, the sculptor behind Florence’s beloved bronze boar, Il Porcellino. Carved from Nero Marquinia and Bianco Michelangelo marble with a smooth finish, its alternating black and white form is pure, uncomplicated delight. Cibic likes to think Tacca might prove just as lucky as its namesake’s most famous work, worn smooth over centuries by hopeful hands.
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Mmairo
Designed by Matteo Cibic
Scuptlure/Vase
Nero Marquinia marble and Bianco Michelangelo marble with smooth finishes
Due to its handmade nature, ears or tray handles are ornamental and not functional
L 38,2 x H 23,4 x W 7,3 cm
L 15,03″ x H 9,21″ x W 2,87″
Weight: 7,3 kg / 16,09 lb
Insured Worldwide Delivery
Secure payment
Certificate of authenticity
Italian designer Matteo Cibic has channelled his fascination with pareidolia, the instinct to find faces in everyday objects, into Homage, a collection created for Mmairo, the marble house founded in Carrara. Working from his Vicenza studio, Cibic treats each vase, tray and vessel as a small character rather than a static object, naming many pieces after the sculptors who shaped Carrara’s centuries-old marble tradition.
With Tacca, Matteo Cibic pays homage to Tuscany’s great sculptural tradition, taking its name from Pietro Tacca, the sculptor behind Florence’s beloved bronze boar, Il Porcellino. Carved from Nero Marquinia and Bianco Michelangelo marble with a smooth finish, its alternating black and white form is pure, uncomplicated delight. Cibic likes to think Tacca might prove just as lucky as its namesake’s most famous work, worn smooth over centuries by hopeful hands.
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