We are delighted to present an outstanding exhibition conceived and curated by Olivier Garcé & Clio Dimofski in our Paris gallery, Invisible Collection Rive Gauche. This is the second time that we’ve entrusted the ultra-talented couple to take over the storied space in rue Amélie – housed by our friends of Mayaro- and appoint it with an array of furniture pieces and objects specially created for the exhibition. The title, Joyful Imperfections, aims to capture the notion of imperfection as a subject of aesthetic reflection across various artistic fields, and specifically design. By showing beautiful pieces made by hand, the designers explore how imperfection is perceived, questioned, and even embraced in interior design, illustrating how it enriches and reshapes the creative process. Craftsmanship is a traditional know-how, forged by years of experience and dedication.
Thus, each design, shaped by hand, can present tiny imperfections, which, rather than being corrected, are elegantly incorporated, adding to the uniqueness of the work. Through ceramic work and furniture elements such as the legs of the Mimi table we can admire the random curves of the terracotta, the discontinuous varnish, matte and shiny effects that happen as happy accidents. Similarly, the strange beauty of the Fred chairs with their intriguing asymmetry illustrates the skillful yet random work by the hand that meticulously carves each leg slightly differently from the others. Among our favorites, the beautiful Allegory Screen stands out, literally. Inspired by mythical figures evoking the aesthetic of the 1920s Swedish Grace movement, this unique design aims to merge the rusticity of wood with the exquisite elegance of artisanal plaster motifs.
Every detail of this allegorical screen reflects a harmonious encounter between the simplicity of materials and the sophistication of forms inspired by Swedish craftsmanship. “Craftsmanship is a traditional know-how, forged by years of experiences and dedication,” says Olivier Garcé. “It is in this quest for perfection that eclecticism resides, a subtle blend of ancient techniques and contemporary creativity. Each piece, shaped by hand, is the result of meticulous work. However, in the vast palette of possibilities offered by the artisan, accidents can occur. This is how craftsmanship becomes a celebration of imperfection, eclecticism and the ability of humans to transcend challenges to create high-end furniture pieces that tell a unique story with every glance.” Most furniture pieces were designed by Garcé & Dimofski, with a few additions made in collaboration with a group of international talents.
Highlights include works by Minjae Kim, Charlotte Taylor, Garance Vallée, Valerie Name and Constanza Vallese, as well as rare pieces from Crosta Smith, and a selection of creations by our partners Chanel’s Métiers d’art – Goossens, Lesage Intérieurs, Studio MTX and Lemarié. For the exhibition, Garcé & Dimofski introduced the Monte Sofa, a new design defined by gentle, curved lines that exude a soft allure supported by sturdy chestnut feet that add character. On a more personal touch, the design duo created a site-specific installation, made of several ceramic pieces artfully assembled on the wall.
Each piece, originally intended for an object, was either damaged during creation or deemed imperfect, resulting in its disposal as a discarded fragment. To mark the uniqueness of the event, we commissioned a site-specific artwork that can be viewed from outside our gallery. The entire façade of Invisible Collection Paris Rive Gauche features a special artwork by Joe Henry Baker. The New-York based British artist was invited to splash his signature irregular dots of colour all over the windows. The visual effect is a powerful one, drawing its strength from repetition and randomness. We hope you’ll be able to visit us and enjoy this display of fantastic designs crafted by the best artisans. Discover all the furniture pieces and objects on show available for purchase exclusively through us.
